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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
h( {) I, G0 [' R3 h8 eShoot in RAW and underexpose your image by 1/2 stop to a full stop.% p+ N/ U( u: ]* l
Use the shadow and highlights tool in a RAW software program to
& y: ~3 |5 i4 p, q; S! v y/ e9 Crestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
. b; a4 q/ y' _1 q' i0 m z1 {) Emethods provided by RAW and you'll have a correctly exposed black
/ B; ]! f0 ^& V4 o2 b/ Q. K3 Vand white image.
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White Balance
j8 D9 k/ S5 I# rIf in need of a quick white balance tool, you can use a standard6 K$ h# Y, h: A D7 H; r
white coffee filter. Use the custom camera white balance while aiming- o v! ~) C- s8 e! J% T* ]- t
the coffee filter and lens to the opposite of the light source to get white7 R4 X7 U& {1 F4 j. j0 h1 B4 ?
balance. I always keep coffee filters in my camera bag for
2 _7 y! U: r: G7 |/ u) ?' k, c: Lsuch occasions.
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/ Q8 }* \$ X) vPseudo ISO Boost s& f. X1 l8 q8 |
If you’re shooting in the dark at a concert venue and need more4 R9 C6 N. y* E6 R& n* ?
ISO boost from your camera and faster shutter speeds - choose 6 G: u; s) s- u, l9 C
the highest ISO setting on your camera and underexpose your image
9 k1 ?/ W9 E9 P& O4 [1 Hby one stop. Then you can use a RAW processor to overexpose the& @0 ~+ \ x4 r& n* l4 R F
image by one or two stops. Image noise may be higher but this G7 K4 [9 ~ A5 H
works very well for concert, venue and event shooting. |
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